Sunday, 26 November 2017

Back to Burgundy

The critics are not especially impressed with this mild-mannered French comedy drama, Ce qui nous lie, and I think I understand why. A couple plot shifts are abrupt and occasionally convenient. It did, however, hit the right notes for me, and the weaknesses didn’t interfere with my appreciation. 

First it is an earthy film. The physical presence of the terroir is impressive. It could serve as a year in the life of a small French vineyard and that would have been beautiful and interesting enough. It was hard not to have a glass of wine in hand, though – it felt like a live wine tasting should be integrated with a viewing of the movie. (If you should watch this at home, I recommend picking up the best Burgundy you can afford, preferably from a small family vineyard, while watching.)

But integrated with this earthy setting are the lives of the three siblings who inherit this land together. They share one financial problem as part of this inheritance while each carrying their own life problems. One thing that impressed me was that the issues were not over-dramatized. The result might make the plot too quiet for some, but something quite realistic was gained. Patience and a mixture of false starts and baby steps were more involved than dramatic turning points.

The main themes all mean a great deal to me: family connections over time, including the bittersweet tensions between commitments and freedoms; connections with place and land; and the paradox of accepting inconsistencies. 

The writing could have used a little tweak here and there but the acting, cinematography and music all worked well. ***+  and a mug up from me.

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